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		<title>About</title>
				
		<link>https://roycohen.co.il/About</link>

		<pubDate>Tue, 14 Dec 2021 13:27:53 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

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1982, Abidjan, Ivory Coast
Live and work in Israel

Cohen creates multimedia installations that deal with different cultures and identities in Israeli society. He combines sculpture, photography, video, and sound to put together installations that use local icongoraphy and interrupt these identities’ status quo power play.

 His work brings up questions regarding possible dialogs between different groups, and the position that art may play in these dialogs within Israeli society.
	
	
Cohen also uses treated ready-mades which he brings to life with the use of kinetic and sound technologies. These works ignite sensations of control and violence, that point to unexpected places in which control and violence may take place in everyday Israeli reality.</description>
		
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	<item>
		<title>CONTACT AND INFO</title>
				
		<link>https://roycohen.co.il/CONTACT-AND-INFO</link>

		<pubDate>Tue, 16 Jul 2019 08:26:57 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

		<guid isPermaLink="true">https://roycohen.co.il/CONTACT-AND-INFO</guid>

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	Contact
Roy Cohen













Tel‭: +‬972-528583135

Email‭: ‬roycohenstudio@gmail.com
	Studies
2017-2019‭ ‬MFA‭, ‬Bezalel Academy of Art‭, ‬Jerusalem


2007-2011‭ ‬B.ed‭, ‬Wizo Academy‭, ‬Departmen of Photography‭, ‬Haifa

Exhibitions
Desktop Haifa Museum of art, Curated by Yuval Saar, Haifa, 2025





Material Imagination: Center of Gravity,Tel Aviv museum of art, Curated by Dalit Matatyahu, 2023

North Tribune, South Tribune, Herzliya Artists’ Residence, Curated by Ran Kasmy-Ilan, 2022
Body-Tensioned Loom, Bezalel Contemporary Art Gallery, Curated by Dor Guez, Tel Aviv, 2021
Three times Two,&#38;nbsp;E'had Ha'Am 9 Gallery, Curated by Yair Barak, Tel Aviv, 2021
Non Finito, Artport Tel Aviv, Curated by Vardit Gross, 2021
Skein,Tel Aviv museum of art, Curated by Dalit Matatyahu, 2021


Love You, Yet Realistic, Beita gallery, Curated by Karni Barzilay,Jerusalem, 2020
”Haifa Bauhaus” is there such a thing?, Hadrion, Curated by Galia Bar Or, Haifa, 2019Social Bauhaus, Talpiot Market, Curated by Galia Bar Or, Haifa, 2019
Current Situation‭, ‬Well House‭, ‬Curated by Adiya Porat‭, ‬Tel Aviv‭, ‬2019

Compass‭, ‬Beit Kandinof‭, ‬Curated by Ruven Koperman‭, ‬Tel Aviv‭, ‬2019

Abracadabra‭, ‬MFA Gallery of Bezalel‭, ‬Tel Aviv‭, ‬2019

Small Sanctuary‭, ‬MFA Gallery of Bezalel‭, ‬Curated by Avital Barak‭, ‬Tel Aviv‭, ‬2018

Mai Nafka Minnah‭?, ‬MFA Gallery of Bezalel‭, ‬Tel Aviv‭, ‬2018

Artisrs‭ ‬Greenhouse‭, ‬Fresh Fair‭, ‬Tel Aviv‭, ‬2018

Censorship‭, ‬Aza 13‭, ‬Curated by Yehezkel Lazarov‭, ‬Tel Aviv, ‬2017‭ ‬

Polaris‭, ‬Gate 3‭ ‬Gallery‭, ‬Curated by Libi Kasel‭, ‬Haifa‭, ‬2016

As it Seems‭, ‬Indie Gallery‭, ‬Curated by Yuval Hai‭, ‬Tel Aviv‭, ‬2015

Portrait‭, ‬Shankar‭, ‬Curated by Gal Weinstein‭, ‬Ramt Gan‭, ‬2014

Be My Guest‭, ‬Gate 3‭ ‬Gallery‭, ‬Haifa‭, ‬2013

The Promising Artist of Calalist‭, ‬Ramat Gan‭, ‬2013

Decomposing‭, ‬Indie Gallery‭, ‬Curated by Sagit Zaluf Namir‭, ‬Tel Aviv‭, ‬2011

40X20‭, ‬Mofet‭, ‬Curated by Micha Kirshner‭, Tel Aviv‭, ‬2011

Graduates‭, ‬Tel Hai Museum‭, ‬Curated by Hannah Shaviv‭, ‬2011

A Starting Line‭, ‬Pyramid Gallery‭, ‬Curated by Yehuda Yatsiv‭, ‬Haifa‭, ‬2011



Awards and Residencies&#38;nbsp;











Culture Pais, 2025















Ruth and Adrew Suzman, 2025











Ministry of Culture and Sports, keren Yotzrim, 2023

Rappaport Prize, Tel aviv Museum of Art, 2021Studios - art spaces around town, Haifa, 2021
 The Rabinovitch Foundation, 2021

Artport Residency Program Grant, Tel Aviv, 2020-2021
Kibbutzim Collge of Education, Technilogy and the Arts Residency Program, Tel Aviv, 2021 
MFA Excellence Award of the Bezalel Academy of Arts and Design. 2019&#38;nbsp;
Y-photo, 2017 
Awagami Scholarship, Sby color, 2015 
Collections
 
Tel Aviv Museum of Art 
Praivet Collection





</description>
		
	</item>
		
		
	<item>
		<title>PRESS</title>
				
		<link>https://roycohen.co.il/PRESS</link>

		<pubDate>Thu, 18 Jul 2019 15:21:26 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

		<guid isPermaLink="true">https://roycohen.co.il/PRESS</guid>

		<description>
	Haaretz, Gilad Melzer, 2022
Portfolio, Yuval Saar, 2020Haaretz, Roi Alter, 2019
Portfolio, Yuval Saar, 2019
The window, Semadar Shefi, 2019

</description>
		
	</item>
		
		
	<item>
		<title>Livevil</title>
				
		<link>https://roycohen.co.il/Livevil</link>

		<pubDate>Wed, 29 Oct 2025 10:29:23 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

		<guid isPermaLink="true">https://roycohen.co.il/Livevil</guid>

		<description>
	
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/546fc3924410d41d7548f79ae817aadb0b2709386124eb27a685c9d93bdb871a/2.jpg" data-mid="240014255" border="0"  src="https://freight.cargo.site/w/1000/i/546fc3924410d41d7548f79ae817aadb0b2709386124eb27a685c9d93bdb871a/2.jpg" /&#62;Livevil, 2024&#38;nbsp;jute, adhesive, threads, neon sign
&#60;img width="4816" height="3211" width_o="4816" height_o="3211" data-src="https://freight.cargo.site/t/original/i/51880cd32ccddeaff14ca3b2c0024576ded5ed7a68875cc517239f333c4f2e63/EvilRoot_AHJ_2024-DanielHanochPhotographer-11-Recovered.jpg" data-mid="240014256" border="0"  src="https://freight.cargo.site/w/1000/i/51880cd32ccddeaff14ca3b2c0024576ded5ed7a68875cc517239f333c4f2e63/EvilRoot_AHJ_2024-DanielHanochPhotographer-11-Recovered.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/1ade872962990642e8d82249768474784d28f32d911bdff1282701702c6c4451/1.jpg" data-mid="240014257" border="0"  src="https://freight.cargo.site/w/1000/i/1ade872962990642e8d82249768474784d28f32d911bdff1282701702c6c4451/1.jpg" /&#62;
 


</description>
		
	</item>
		
		
	<item>
		<title>you are like a dream</title>
				
		<link>https://roycohen.co.il/you-are-like-a-dream</link>

		<pubDate>Mon, 26 Aug 2024 08:20:44 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

		<guid isPermaLink="true">https://roycohen.co.il/you-are-like-a-dream</guid>

		<description>
	
&#60;img width="3333" height="5000" width_o="3333" height_o="5000" data-src="https://freight.cargo.site/t/original/i/910ac3b6901844cd709f5c4bccd0f21a780e601c29503f23253fc8f9d24ab34e/3.jpg" data-mid="216944574" border="0"  src="https://freight.cargo.site/w/1000/i/910ac3b6901844cd709f5c4bccd0f21a780e601c29503f23253fc8f9d24ab34e/3.jpg" /&#62; You are Like a Dream, mechanical music box, microphone, PA system, wood, 2024 The interactive work You are Like a Dream to Me, consists of a mechanical music box, which invites visitors to turn the crank and listen to the sounds emanating from it. The music, coming from the box, is an adaptation of the melody of the fan anthem "May Your Village Burn" in the guise of a lullaby. Identified with Beitar Jerusalem football club fans from La Familia organization, the song becomes the soundtrack accompanying the team's games, as drama on the field intensifies. In simple, direct language, the lyrics of the song express hatred towards any opponent, primarily those clubs identified with the political left, and more specifically—clubs hailing from Arab locales. The verbal violence concealed in the song, which includes curses and threats, makes it an effective tool to intimidate the opposing team and its fans. The racist song unites the fans in a community without inhibitions, conscience or morals, which regards victory as the one and only sacred goal, and virtually all means are legitimate to achieve that goal. When the music box is activated, the sounds are heard in the gallery space and in the garden of the Artists' House simultaneously. They rise from the garden, are disseminated to the public space, and from there to the street by means of a megaphone, which is used as a means of amplification and as a device calling for action. The innocent act of turning the crank is soon revealed as a misleading trick, which masks words dripping with venom and serving as a reminder of the rising violence pervading Israeli society in the streets, highways, schools and sports fields. The desire to surrender to the pleasant melody collides with the discomfort of being forced to join a violent and escalating discourse.

If you don’t jump now

You son of a bitch

You are Hapoel fan

 

The Eastern-Gate are crazy

From Teddy no one gets out alive

Welcome to hell

If you don’t jump you are Red

 

In the Eastern-Gate, everyone knows

There are a few Arab-lovers here

They went to seek reconciliation in Sakhnin

They don’t represent us

 

Now listen well you Arabs

We do not reconcile

And the song always stays the same

Let your village burn



Shuafat is on fire
written by Sally Haftel Naveh





&#60;img width="2119" height="1514" width_o="2119" height_o="1514" data-src="https://freight.cargo.site/t/original/i/c6ff3aefb71a4a1597c4deef6cefd74335f736e1c84a98ae191509753c8c65f9/Screen-Shot-2024-08-26-at-16.24.27.png" data-mid="216944900" border="0"  src="https://freight.cargo.site/w/1000/i/c6ff3aefb71a4a1597c4deef6cefd74335f736e1c84a98ae191509753c8c65f9/Screen-Shot-2024-08-26-at-16.24.27.png" /&#62;
&#60;img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/c8bf49944fb2e81cf8dcf2cee73557616746607a02f8abb000ce22d0fd03e281/_1120574.jpg" data-mid="216944558" border="0"  src="https://freight.cargo.site/w/1000/i/c8bf49944fb2e81cf8dcf2cee73557616746607a02f8abb000ce22d0fd03e281/_1120574.jpg" /&#62;
&#60;img width="3333" height="5000" width_o="3333" height_o="5000" data-src="https://freight.cargo.site/t/original/i/63d1ad65eb9f7d2115436ab1058f35be207cdbe0f5c2539e5c7eb3c9b8d8b133/EvilRoot_AHJ_2024-DanielHanochPhotographer-67.jpg" data-mid="216945070" border="0"  src="https://freight.cargo.site/w/1000/i/63d1ad65eb9f7d2115436ab1058f35be207cdbe0f5c2539e5c7eb3c9b8d8b133/EvilRoot_AHJ_2024-DanielHanochPhotographer-67.jpg" /&#62;
 


</description>
		
	</item>
		
		
	<item>
		<title>base pattern</title>
				
		<link>https://roycohen.co.il/base-pattern</link>

		<pubDate>Mon, 26 Aug 2024 09:21:44 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

		<guid isPermaLink="true">https://roycohen.co.il/base-pattern</guid>

		<description>
	
&#60;img width="3333" height="5000" width_o="3333" height_o="5000" data-src="https://freight.cargo.site/t/original/i/39c3723897550253eb9218a62507d8bbea0afb169c80ed30ae960f48158e2dc2/1-72.jpg" data-mid="216945469" border="0"  src="https://freight.cargo.site/w/1000/i/39c3723897550253eb9218a62507d8bbea0afb169c80ed30ae960f48158e2dc2/1-72.jpg" /&#62;
Base Pattern, 176x10x176, Synthetic jute, nylon thread, cotton thread, 2024

The beginning of this work lies in a map of Mount Zion from 1949 that Roy Cohen found in an archival file. The map, which was supposed to demonstrate the strength after the battles and be an official map of victors, was marked by hand with a marker, full of personal expression. The Nabi Daoud/David’s Tomb compound was clearly highlighted, with arrows and dots all pointing there. Cohen sees this act of marking as evidence of a personal point of view. In his work, he seeks to trace the tension between an official document and manual action, to trace the line drawn by a particular person, and to create a new map which is based on the original map, but at the same time uses sewing thread to highlight elements of concealment, exposure and emphasis on Mount Zion.

Synthetic jute fabric is used for wrapping fences and scaffolds and concealing new structures that will be erected on a certain land. However, due to the composition of the exposed material, the nylon and threads that make up the fabric easily unravel and are quickly destroyed. Thus, jute fabric embodies a thing and its opposite: the desire to hide something and the discovery of the impossibility of doing so.

Cohen's stitching is done on an entire bolt of jute. Through it, he connects the industrial with handwork and the two-dimensionality of the map with the typographic relief made by means of thread. This is stitching that is not intended to connect two pieces, since its action is like that of embroidery, and hence it emphasizes what needs to be repaired, the wound that exists in the heart of this one map. Cohen's map reveals the great pain inherent in the place: the layers, the entanglement, the buildings that were built for one purpose and turned into something else, the stories and events that took place in it which are constantly revealed and covered. The anthropologist and poet Zali Gurevitch described this well in his book “On Israeli and Jewish Place”:
"A place means not only a beginning but also an end; It must be finished, made specific, with a specific form – this is what places a place, marks a point, starts a perspective, draws a horizon, creates a world, makes a character, hangs hope, advances a plot. In a different manner, ending means a return, as in repetition, in the creation of a routine, as well as in coming back, in the possibility of returning, marking a way back. [...] In these two senses, of beginning and ending, departure and return, a place is a given and a creation; It is impossible to be without it, and yet it depends on establishment, not only in the physical sense [...] but in the cultural sense – the creation and transmission of language, text, myth, history, ethos, border, law. The socio-cultural concept, the discourse and the talk of the place, which involves relations and connection, even if hostile or negative relations, is what defines a piece of land, a point, a landscape or a structure as a place. A place is established and located among people, within concepts, thereby opening itself to diversity and change, to cultural relativism, and to inexhaustible human invention."

Zali Gurevitch, On Israeli and Jewish Place, Ra’anana: Am Oved, 2007, pp 10-11.
written by Rinat Edelstein

 
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/cdcc81190adc7d3343590b61cebb13d265f3b16772d69863ac8441fdd05d32d7/Manofim_-Believe_2024-DanielHanochPhotographer-73.jpg" data-mid="216945470" border="0"  src="https://freight.cargo.site/w/1000/i/cdcc81190adc7d3343590b61cebb13d265f3b16772d69863ac8441fdd05d32d7/Manofim_-Believe_2024-DanielHanochPhotographer-73.jpg" /&#62;


 


</description>
		
	</item>
		
		
	<item>
		<title>Mitchell From Eleven To Two</title>
				
		<link>https://roycohen.co.il/Mitchell-From-Eleven-To-Two</link>

		<pubDate>Mon, 19 Aug 2024 06:01:16 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

		<guid isPermaLink="true">https://roycohen.co.il/Mitchell-From-Eleven-To-Two</guid>

		<description>
	
&#60;img width="4320" height="3240" width_o="4320" height_o="3240" data-src="https://freight.cargo.site/t/original/i/da0a0145f515ebb2e9484052d309135fe459718f4a4e0c4c8feaca3cf792fbeb/IMG_1077.jpg" data-mid="216591918" border="0"  src="https://freight.cargo.site/w/1000/i/da0a0145f515ebb2e9484052d309135fe459718f4a4e0c4c8feaca3cf792fbeb/IMG_1077.jpg" /&#62;
Mitchell from Eleven to Two, 2024
Performance
A guard and a watchdog patrol the exhibition space along a set route. The guard is dressed in all black. Mitchell the dog walks by his side with a mouth guard and a vest, alertly sniffing his surroundings. Their pace is slow and they avoid making eye contact or any type of communication with the visitors. There's a barking sound every ten minutes. The presence of the two immediately shifts the dynamic typical of art spaces, generating a tense and volatile atmosphere.
&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/c5a55b55c13472b8ada829a4901050d4b35f5eb47976c1ca4b13e07f86150ade/WhatsApp-Image-2024-08-04-at-17.07.18-1.jpeg" data-mid="216591927" border="0"  src="https://freight.cargo.site/w/1000/i/c5a55b55c13472b8ada829a4901050d4b35f5eb47976c1ca4b13e07f86150ade/WhatsApp-Image-2024-08-04-at-17.07.18-1.jpeg" /&#62;

&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/b499fbb6afecd696b84d084022191c8b741f2fcb39f98d071629e05c091070ad/WhatsApp-Image-2024-08-04-at-17.07.18.jpeg" data-mid="216591924" border="0"  src="https://freight.cargo.site/w/1000/i/b499fbb6afecd696b84d084022191c8b741f2fcb39f98d071629e05c091070ad/WhatsApp-Image-2024-08-04-at-17.07.18.jpeg" /&#62;
&#60;img width="1600" height="886" width_o="1600" height_o="886" data-src="https://freight.cargo.site/t/original/i/2ebe88249af90a5e043fa5dcaced868d5dc121ea35ed9c27a79b2c5a1f1fa8f4/WhatsApp-Image-2024-08-04-at-17.07.18-2.jpeg" data-mid="216591928" border="0"  src="https://freight.cargo.site/w/1000/i/2ebe88249af90a5e043fa5dcaced868d5dc121ea35ed9c27a79b2c5a1f1fa8f4/WhatsApp-Image-2024-08-04-at-17.07.18-2.jpeg" /&#62;
&#60;img width="4320" height="3240" width_o="4320" height_o="3240" data-src="https://freight.cargo.site/t/original/i/8e4f9dde1680f4a9e015634daf4f4505eb2c33cad63523e539963d260046070a/IMG_1067.jpg" data-mid="216591930" border="0"  src="https://freight.cargo.site/w/1000/i/8e4f9dde1680f4a9e015634daf4f4505eb2c33cad63523e539963d260046070a/IMG_1067.jpg" /&#62;
&#60;img width="1600" height="1066" width_o="1600" height_o="1066" data-src="https://freight.cargo.site/t/original/i/721d90cdf45f3f0a988b7284b5075e107b9cc85170ab3a7fe695335c57fc3ebd/WhatsApp-Image-2024-08-04-at-17.07.18-3.jpeg" data-mid="216591933" border="0"  src="https://freight.cargo.site/w/1000/i/721d90cdf45f3f0a988b7284b5075e107b9cc85170ab3a7fe695335c57fc3ebd/WhatsApp-Image-2024-08-04-at-17.07.18-3.jpeg" /&#62;
&#60;img width="4320" height="3240" width_o="4320" height_o="3240" data-src="https://freight.cargo.site/t/original/i/8b38ec7182d9dcddc6c4e81140ebc153c3086cc4ff21b6093d6679f80369aa01/IMG_1047.jpg" data-mid="216591932" border="0"  src="https://freight.cargo.site/w/1000/i/8b38ec7182d9dcddc6c4e81140ebc153c3086cc4ff21b6093d6679f80369aa01/IMG_1047.jpg" /&#62;
&#60;img width="4320" height="3240" width_o="4320" height_o="3240" data-src="https://freight.cargo.site/t/original/i/22ba5bf9e1e6c7f867cf10695f57a446d41f8f63f726924d0023e284cf1f0d48/7.jpg" data-mid="216591926" border="0"  src="https://freight.cargo.site/w/1000/i/22ba5bf9e1e6c7f867cf10695f57a446d41f8f63f726924d0023e284cf1f0d48/7.jpg" /&#62;
&#60;img width="4320" height="3240" width_o="4320" height_o="3240" data-src="https://freight.cargo.site/t/original/i/5e98cd1fdef1d5237832890a718c20ad120c546fede2f335b32157f940a6f848/IMG_1000.jpg" data-mid="216591929" border="0"  src="https://freight.cargo.site/w/1000/i/5e98cd1fdef1d5237832890a718c20ad120c546fede2f335b32157f940a6f848/IMG_1000.jpg" /&#62;
&#60;img width="4320" height="3240" width_o="4320" height_o="3240" data-src="https://freight.cargo.site/t/original/i/9aa76de9cd07074c195814021a8c3e43399c2287257f4667bfd7d31d1c31d91f/IMG_103999.jpg" data-mid="216591936" border="0"  src="https://freight.cargo.site/w/1000/i/9aa76de9cd07074c195814021a8c3e43399c2287257f4667bfd7d31d1c31d91f/IMG_103999.jpg" /&#62;
&#60;img width="1305" height="870" width_o="1305" height_o="870" data-src="https://freight.cargo.site/t/original/i/b9e2af485694912ee474e496013d6042d9c17c7d5eb459086cd96bd1502dd664/22.jpg" data-mid="216627521" border="0"  src="https://freight.cargo.site/w/1000/i/b9e2af485694912ee474e496013d6042d9c17c7d5eb459086cd96bd1502dd664/22.jpg" /&#62;

&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/1908ec3447eb63b77f891002e78ebcc2abbd81c37d5030b6f916f4e7313041fb/Mitchall-from-eleven-to-two_v32.jpg" data-mid="216591934" border="0"  src="https://freight.cargo.site/w/1000/i/1908ec3447eb63b77f891002e78ebcc2abbd81c37d5030b6f916f4e7313041fb/Mitchall-from-eleven-to-two_v32.jpg" /&#62;
 


</description>
		
	</item>
		
		
	<item>
		<title>Loyalty</title>
				
		<link>https://roycohen.co.il/Loyalty</link>

		<pubDate>Tue, 11 Jul 2023 12:08:31 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

		<guid isPermaLink="true">https://roycohen.co.il/Loyalty</guid>

		<description>
	&#60;img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/08c7eb0b5a880d563b1e641d16b30d52d1295d059acc070c63d06496f6127758/_1120311.jpg" data-mid="184754158" border="0"  src="https://freight.cargo.site/w/1000/i/08c7eb0b5a880d563b1e641d16b30d52d1295d059acc070c63d06496f6127758/_1120311.jpg" /&#62;Loyalty, vinyl sticker, 240x240, 2023








</description>
		
	</item>
		
		
	<item>
		<title>Admiral</title>
				
		<link>https://roycohen.co.il/Admiral</link>

		<pubDate>Sun, 02 Jul 2023 07:03:19 +0000</pubDate>

		<dc:creator>roy cohen</dc:creator>

		<guid isPermaLink="true">https://roycohen.co.il/Admiral</guid>

		<description>
	&#60;img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/3fea4d6e9c3b5f6bc5addcb84cd2d67dd2a98a3fb2ea4cc4e7576176ced343ea/Admiral_view_2023.jpg" data-mid="183904465" border="0"  src="https://freight.cargo.site/w/1000/i/3fea4d6e9c3b5f6bc5addcb84cd2d67dd2a98a3fb2ea4cc4e7576176ced343ea/Admiral_view_2023.jpg" /&#62;Installation view, Admiral, 2023, 
Curated by Maayan Sheleff


&#60;img width="2856" height="4272" width_o="2856" height_o="4272" data-src="https://freight.cargo.site/t/original/i/89fdf868b2effd5889417fb59a444e728fe5be9addddaa9cca584ee9c9be3564/Admiral_roycohen_2023.jpg" data-mid="183904466" border="0"  src="https://freight.cargo.site/w/1000/i/89fdf868b2effd5889417fb59a444e728fe5be9addddaa9cca584ee9c9be3564/Admiral_roycohen_2023.jpg" /&#62;
&#60;img width="3109" height="4529" width_o="3109" height_o="4529" data-src="https://freight.cargo.site/t/original/i/d5c1d8cdc0dcf9336b713d34bf9e903320fd2c48324910761f022c863325f7be/_1120127.jpg" data-mid="183904467" border="0"  src="https://freight.cargo.site/w/1000/i/d5c1d8cdc0dcf9336b713d34bf9e903320fd2c48324910761f022c863325f7be/_1120127.jpg" /&#62;
Admiral, office chair, 110x62x62, 2023



&#60;img width="3250" height="2172" width_o="3250" height_o="2172" data-src="https://freight.cargo.site/t/original/i/e3b78cbb5e36a080b8c16245c110ca623d67a28bb892253bfe265d23e242e081/untitled-key_2roycohen.jpg" data-mid="183904468" border="0"  src="https://freight.cargo.site/w/1000/i/e3b78cbb5e36a080b8c16245c110ca623d67a28bb892253bfe265d23e242e081/untitled-key_2roycohen.jpg" /&#62;
Untitled (studio key), 14x2x1, silver, 2023


&#60;img width="4272" height="2856" width_o="4272" height_o="2856" data-src="https://freight.cargo.site/t/original/i/7a004f85b232d60efdc41c63977590b3f6aed430c1ea0a9b7be3104a5019e375/18-blue-pens_rpy-cohen.jpg" data-mid="183904492" border="0"  src="https://freight.cargo.site/w/1000/i/7a004f85b232d60efdc41c63977590b3f6aed430c1ea0a9b7be3104a5019e375/18-blue-pens_rpy-cohen.jpg" /&#62;Untitled (18 Blue pens),dimensions variable, 2022

&#60;img width="2856" height="4272" width_o="2856" height_o="4272" data-src="https://freight.cargo.site/t/original/i/6a09721eb9692e76c5711244861d002222a80acb0d0483768984811dfdbe63bb/_1120289.jpg" data-mid="183992646" border="0"  src="https://freight.cargo.site/w/1000/i/6a09721eb9692e76c5711244861d002222a80acb0d0483768984811dfdbe63bb/_1120289.jpg" /&#62;Untitled (masking tape), glass, tin, lead, dimensions variable,2022




 


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